Shopping

Guest
Merchandise Details
Electronic Media Review Volume 1 (2012) Electronic
Member Price$25.00
Non-Member Price$30.00
Merchandise Description

The Electronic Media Review, Vol. 1, 2012

Electronic Media Group

Papers presented at the Electronic Media Group session of the 35th AIC Annual Meeting, Los Angeles, California, 2009, and the 36th AIC Annual Meeting, Milwaukee, Wisconsin, 2010

Jeffrey Warda, Managing Editor

Edited by Fletcher Durant, Gwynne Ryan, and Jeffrey Warda

 

TABLE  OF CONTENTS

Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . vii

Papers presented at the Electronic Media Group Session, AIC 35th Annual Meeting, May 15–20, 2009, Los Angeles, California

Obsolete and Beyond the Pale: The Politics of Restoring Underground Film

LEAH CHURNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Heart Beats Dust: The Conservation of an Interactive Installation from 1968 and an Introduction to E.A.T (Experiments in Art and Technology)

CHRISTINE FROHNERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Forging the Future Using Web 2.0 Cataloging Techniques

MICHAEL KATCHEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Sustaining Dynamic Media Objects and Digital System Environments: An Assessment of Preservation Methods for Computer Based Artworks

TABEA LURK AND JÜRGEN ENGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

A Case for Digital Conservation Repositories

BARBRA MACK AND GLENN WHARTON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Gary Hill’s Suspension of Disbelief (for Marine): Documentation Strategies for Time-Based Media. Part II.

JEFF MARTIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Reconstructing a Simulation: Ant Farm and T.R. Uthco’s The Eternal Frame

GLENN R.PHILLIPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Gary Hill’s Suspension of Disbelief (for Marine): Documentation Strategies for Time-Based Media. Part I

GWYNNE RYAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Codec Comparison for the Digital Preservation of Analog Video

ANGELO SACERDOTE AND LAUREN SORENSEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Inside Installations: An Introduction

TATJA SCHOLTE AND VIVIAN VAN SAAZE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Fabrizio Plessi’s Liquid Time II at the Center for Art and Media (ZKM):

Options and Limitations for an Authentic Reinstallation

FENNA YOLA TYKWER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

From Singularity to Multiplicity? A Study into Versions, Variations, and Editions in Museum Practices

VIVIAN VAN SAAZE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Characterizing Optical Disc Longevity at the Library of Congress

JENNIFER A.WADE AND MICHELE YOUKET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

To Emulate or Not: A Case Study for Revolution: A Monument for the Television Revolution By Jeffrey Shaw

GABY WIJERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Fabrizio Plessi’s Liquid Time II at the ZKM | Center for Art and Media.

Part I: Preservation and Presentation of a Large-Scale Kinetic Video Sculpture

THOMAS ZIRLEWAGEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Papers presented at the Electronic Media Group Session, AIC 36th Annual Meeting, May 11–14, 2010, Milwaukee, Wisconsin

Baking, Mineral Oil, and Windex: A Look at the Sorry State of Pre-Digitization Conservation Treatment for Audiovisual Media

GEORGE BLOOD AND CASSANDRA GALLEGOS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Encounters with a Very-Large Picture Collection: The Joseph Selle Collection of Street Vendor Photography

CHRISTOPHER BURNETT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

The Artist Stripped Bare of his Papers, Even: An Interview with Cory Arcangel

WALTER FORSBERG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Sticky-Shed Syndrome in Audio Magnetic Tapes: Possible Causes and Analysis

STEPHEN C.HOBAICA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Image Storage and Permanence Considerations in the Long-Term Preservation of Photographic Images—An Update and Additional Considerations

JOSEPH LABARCA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Shifting Equipment Significance in Time-Based Media Art

JOANNA PHILLIPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

One Thing After Another: Developing a Digital Archeology for the Warren Spector Collection, a Case Study

ELIZABETH L.SERAMUR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

An Introduction to the Audiovisual Self-Assessment Program at the University of Illinois at Urbana-Champaign

JENNIFER HAIN TEPER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Guidelines for Authors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171