| Papers Presented at the 38th Annual Meeting of the American Institute for Conservation of Historic and Artistic Works |
| Milwaukee, Wisconsin, May 11 – 14, 2010 |
| PAINTINGS SPECIALTY SESSION |
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| Anselm Kiefer’s “Let a Thousand Flowers Bloom”: A Preventive Conservation Collaboration |
1 |
| Erica ESH James |
| Alice Dibble and Painting Restoration in the Early Days of the Shelburne Museum |
7 |
| Pamela J Betts |
| A New Approach to the Treatment of Fatty Acid Crystals on Modern Oil Paintings |
18 |
| Kathleen A Martin, Bonnie Rimer, Joseph Barabe, and Carol Injerd |
| Two Portraits by Giacomo Ceruti, an Examination |
23 |
| Jean Dommermuth and Helen Spande |
| “The Triumph of Mordecai” at The National Gallery of Canada: New Findings on Botticelli’s Role and Direct Involvement in Extraordinary Collaboration with Filippino Lippi in the c 1475 Cycle Depicting the Story of Ester |
31 |
| Tomas Markevicius |
| Technical Examination and Treatment of Three Panels of a Predella by Sassetta |
40 |
| Serena Urry |
| The Conservator as an Expert Witness, Witness, or Party in Litigation (Abstract) |
49 |
| Patricia M Dillon |
| Reflections on the Primacy of the Image in Connoisseurship and Conservation (Abstract) |
50 |
| Laszlo Cser |
| Education as the Basic Tool of Conservation in the 21st Century |
51 |
| Eugenia Guidobono |
| Dare Great Things: Questions on the Restoration of a Series of Colonial Paintings |
57 |
| Frederico Eisner-Sagüés and Carolina Ossa-Izquierdo |
| Flexible Thermal Blanket and Low Pressure Envelope System in the Structural Treatment of Paintings on Canvas |
63 |
| Nina Olsson and Tomas Markevicius |
| Up in Smoke, Treatment of Fire-Damaged Paintings |
72 |
| Veronica Romero, Kelly O’neill, and Rustin Levenson |
| An Empirical Evaluation of a Range of Cleaning Agents for Removing Dirt from Artists’ Acrylic Emulsion Paints |
77 |
| Bronwyn A Ormsby, Alexia Soldano, Melinda H Keefe, Alan Phenix, and Tom Learner |
| A Question of Technique: Condition Issues Associated with Layering Structure in Richard Diebenkorn’s Ocean Park Series |
88 |
| Ana Alba, Susan Lake, Mel Wachowiak, and Jennifer Giaccai |
| Do Weave Matches Imply Canvas Roll Matches? |
97 |
| Don H Johnson, Ella Hendriks, Muriel Geldof, and C Richard Johnson |
| Visible and Infrared Imaging Spectroscopy of Paintings: Pigment Mapping and Improved Infrared Reflectography (Abstract) |
103 |
| John K Delaney, Jason Zeibal, Roy T Littleton, Mathieu Thoury, Michael Palmer, Kathryn Morales, and E René De La Rie |
| Historical and Analytical Literature Review on Driers Used in Late 19th and Early 20th Century Paint Formulations (Abstract) |
104 |
| Anna Vila and Margaret MacDonald |
| STUDIO TIPS SESSION |
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| Bench Cookies |
105 |
| Laurent Sozzani |
| Wall Mounted Easel |
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| Laurent Sozzani |